April 7, 2026
Lisa Kudrow calls out ‘safe’ comedy trend in modern sitcoms
Lisa Kudrow says many modern sitcoms have become too cautious and avoid the kind of surprising jokes that once defined hit comedies. The Friends star also reflected on how Phoebe Buffay was often misunderstood by audiences.
April 7, 2026

Actor Lisa Kudrow has criticised the current direction of television comedy, arguing that many modern sitcoms lack the boldness that once defined the genre.
Best known for her Emmy-winning role as Phoebe Buffay on Friends, Kudrow said in a recent interview that contemporary multi-camera comedies have become overly cautious, avoiding humour that might challenge or unsettle audiences.
She contrasted this approach with earlier hits such as Seinfeld and 30 Rock, which she said thrived on unpredictability and sharp writing. According to Kudrow, effective comedy depends on surprise, with the most memorable jokes often being those that push boundaries.
Her remarks reflect a wider shift in the television landscape, where single-camera formats and streaming platforms now dominate. These shows tend to emphasise character-driven storytelling over the rapid-fire, audience-driven humour of traditional sitcoms. While acknowledging that many newer productions are well-made, Kudrow suggested that a reluctance to take risks has made them less impactful.
Reflecting on her own work, Kudrow said her portrayal of Phoebe was often misunderstood by viewers as naïve, though she always viewed the character as unconventional rather than unintelligent. She described Phoebe as someone who defied norms, bringing a distinct comedic perspective that set her apart.
Beyond Friends, Kudrow has built a career around offbeat and experimental comedy, including roles in The Comeback and Web Therapy. Her latest comments underscore her belief that comedy must continue to challenge audiences in order to remain relevant.
Kudrow’s critique adds to the ongoing debate over how television comedy is evolving in the streaming era, raising questions about whether the genre’s growing caution is limiting its creative edge.
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